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Judge Ryan Keefer • Location: Stone Ridge, VA
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Virginia Film Festival Review: Manderlay

October 31st, 2005 4:11AM

Manderlay
Directed by Lars Von Trier

Manderlay</B/> is the second film in Von Trier's USA Trilogy, and follows Dogvillewith Nicole Kidman. In in Grace, who is now played by Bryce Dallas Howard (The Village) and her father, now played by Willem Dafoe (The Life Aquatic With Steve Zissou) leave Dogville and head south, where as they stop for a moment, witness a black man about to be whipped. Grace gets out of the car, despite her father's protests, and has the man freed. The person about to dole out the punishment, Mam (Lauren Bacall) collapses and eventually dies, so Grace decides to run the town, as they have been living in a world of slavery for over 70 years after the Emancipation Proclamation, and are unsure how to work in a democracy.

Some of the actors in Dogville return for Manderlay, but are woefully underused. Bacall, Jeremy Davies (Solaris) and Chloe Sevigny (The Brown Bunny) return for brief glimpses, and the major players this time are Wilhelm (Danny Glover, Saw), an older member of the town, and Timothy (Isaac de Bankole, Coffee and Cigarettes), a younger, more rebellious town member.

The film was introduced by Jacob Holdt, whose photos can be seen at the end of Dogville and return for Manderlay. Holdt says that the film is about the Iraq War, which Von Trier doesn't exactly say a recent Guardian interview. Holdt also went on to say that there was a scene that may have been inspired by the Abu Ghraib scandal, and it's not hard to see which seen inspired that.

I like Von Trier's work, and have watched his films since Breaking the Waves, which was one of the more amazing film experiences I'd seen. But now, even though he uses much of the same cast and the same production ideas from Dogville (using a sound stage to depict a town), but as opposed to Dogville, which included a fantastic performance by Kidman, Howard doesn't have much to work with here. John Hurt, who narrated the first film, reprises his role here, but plays a more active role, perhaps because the story was listless and without direction. There is no startling final act that his other films have had, the big surprise at the end of the movie wasn't really one to begin with.

Overall, this is a disappointing second film in Von Trier's second trilogy. I accept his position that you don't have to visit America to have a view on it, but Manderlay misses the mark on slavery, and expresses its views on American intervention erratically, with a confusing subplot focusing on Grace that appears to be included more to see Howard's genitals than anything else. One would hope that the final part of the film, which apparently may take place in Washington, has a lot more punch and bite than this film did. I'd say it's probably a C or C- film.

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