The birth scene in Cronenberg's The Fly. I really have a hard time with gross creatures that are way bigger than they have any right to be.
cdouglas wrote:I can generally handle all sorts of horrible stuff, but there's a bit in Minority Report that just forces me to look away: the scene where a temporarily blinded Tom Cruise takes a bite of a moldy, green sandwich, spits it out and follows it with a great big swig of spoiled green milk. Makes my stomach churn just thinking about it.
A group of us JUST finished watching it, and one of the guys very nearly barfed at that scene. I'd forgotten how disturbing the undertones were in Minority Report, I hadn't seen it since the theatrical run. Freakin great flick.
Jim_Thomas wrote:The scene in Saving Private Ryan where the German soldier slowly slides his knife into Adam Goldberg's heart.

I had the same reaction but I think that's the effect that Nagisa Ôshima wants the audience to have. Most 'artsy' movies about sex save the graphic sexual scenes to a few minutes and the rest to fancy period window-dressing ("The Lover," "Lust, Caution," "The Dreamers," etc.) but "In the Realm of the Senses" is the opposite: numblingly graphic sex scene after another, with just a handful of 'period' scenes. This mirrors the tunnel-vision view of distorted reality in Sada and Kichizo's oversexualized world. We, the audience, are made to feel as trapped in the sex as the two characters are within their (dramatized) life. I've seen the movie twice and the repeat viewing wasn't as rough the 2nd time. I love the memory of my first viewing though, since I felt like hitting stop often but didn't want to because I would have broken the spell of entrapment the director had fashioned to make us feel the aprehension and loss of control the movie's protagonists were experiencing (which was pretty ballsy of Ôshima to even attempt to pull off, which he did).Dan Mancini wrote:In the Realm of the Senses...pretty much the entire movie.
J.M. Vargas wrote:I had the same reaction but I think that's the effect that Nagisa Ôshima wants the audience to have. Most 'artsy' movies about sex save the graphic sexual scenes to a few minutes and the rest to fancy period window-dressing ("The Lover," "Lust, Caution," "The Dreamers," etc.) but "In the Realm of the Senses" is the opposite: numblingly graphic sex scene after another, with just a handful of 'period' scenes. This mirrors the tunnel-vision view of distorted reality in Sada and Kichizo's oversexualized world. We, the audience, are made to feel as trapped in the sex as the two characters are within their (dramatized) life. I've seen the movie twice and the repeat viewing wasn't as rough the 2nd time. I love the memory of my first viewing though, since I felt like hitting stop often but didn't want to because I would have broken the spell of entrapment the director had fashioned to make us feel the aprehension and loss of control the movie's protagonists were experiencing (which was pretty ballsy of Ôshima to even attempt to pull off, which he did).Dan Mancini wrote:In the Realm of the Senses...pretty much the entire movie.
Dan Mancini wrote:I wasn't so much shocked or appalled at the sex in the flick as just sort of slightly skeeved out and bored. That's pretty much my reaction to any arthouse flick I can think of that tries to do hardcore sex without being porn, whether by Catherine Breillat, Michael Winterbottom, John Cameron Mitchell, or whoever.
BenShultz wrote:Dan Mancini wrote:I wasn't so much shocked or appalled at the sex in the flick as just sort of slightly skeeved out and bored. That's pretty much my reaction to any arthouse flick I can think of that tries to do hardcore sex without being porn, whether by Catherine Breillat, Michael Winterbottom, John Cameron Mitchell, or whoever.
Porn's pretty boring too. Just sayin'.
Speaking from experience I suppose.BenShultz wrote:Dan Mancini wrote:Porn's pretty boring too. Just sayin'.
Mark Van Hook wrote:Jim_Thomas wrote:The scene in Saving Private Ryan where the German soldier slowly slides his knife into Adam Goldberg's heart.
Seconded.
The rape scene in the first 10 minutes of Baise-Moi, never have I been so repulsed. I didn't watch the rest of the ''movie''.
Selk wrote:The rape scene in the first 10 minutes of Baise-Moi, never have I been so repulsed. I didn't watch the rest of the ''movie''.
How about the 9-minute rape scene in Irreversible. That made me physically sick.
That's pretty much my reaction to the entire film, from the boyfriend using a fire extinguisher to obliterate the skull of some poor guy who's only crime was being in the wrong place at the wrong time....to the bucolic sex scenes that end the film. I appreciate what Noe was attempting to do with the reversed sequencing but I'll be damned if I'll ever sit through that movie again.

molly1216 wrote:...basically scenes that are meant to be brutally graphic...i think some directors get away with too much. ... the curb scene in American History X...
Selk wrote:The rape scene in the first 10 minutes of Baise-Moi, never have I been so repulsed. I didn't watch the rest of the ''movie''.
How about the 9-minute rape scene in Irreversible. That made me physically sick.
Andrew Forbes wrote:molly1216 wrote:...basically scenes that are meant to be brutally graphic...i think some directors get away with too much. ... the curb scene in American History X...
Not to suggest that this scene is easy to watch, but what exactly did Tony Kaye get away with here? I don't recall seeing anything explicit, and that moment of violence is a critical point in the story.
Users browsing this forum: No registered users and 1 guest