Steve T Power wrote:Andrew Forbes wrote:Steve T Power wrote:Does anyone ever attack Capra for being a sentimentalist? No.
Well, that's not really true at all, but you are right that Spielberg catches more grief about it.
some of us like sentimentality! Some of us are emotionally healthy normal folk. Some of us haven't been worn down to cynical and jaded husks of barely human by today's hostile society! We like happy endings!
It is not that I don't like sentimentality, its that I don't like
Speilberg's brand of sentimentality. My problem with Spielberg is that I don't buy into his sentiment: it comes across as forced and artificial at the best of times, and completely wrong in a number of his films.
Let's take
Empire of the Sun, shall we? The original novel is a tale of survival, but it is about as far from a fun time as you can get. It's bleak, its depressing, and the end sure as hell doesn't leave you with any sense of comfort. Somehow, Spielberg reads the book and decides its going to be a boy's adventure film, with wiz-bang moments of wonder, and an ending that completely misses the point of the original text. This is not to say that Spielberg needed to be faithful to the novel, but the horrors of such camps are covered up so much that the whole thing rings false.
In every other film he has ever made that tries to go for real emotion, they ring just as false. Everything is so over produced that nothing ever connects to anything remotely human, and the only ones that have ever worked (
Jaws and
Duel) are pretty much stripped to the bone efforts that lack the sheen of his latter films.