molly1216 wrote:anyone have their viewed planned yet?
I did dive into the Universal canon a little early but there's plenty left..
I like to buy a new halloween movie every year i just don't have my eye on one yet.

stypee wrote:I got the first season of The Jersey Shore - they just handed it to me at the thrift store.. I started watching it last night.. The single, most frightening viewing experience I've ever had.
I couldn't sleep at all I'm afraid for our future.
mavrach wrote:Hellboy I Director's Cut & II - Just like the Blade series, this is another comic series that doesn't waste it's time with an origin story. Outside of that brief intro, it just throws us into the middle of their lives and lets us figure it out, with the assistance of an audience surrogate.
John Meyer does take up too much time in the first movie though, leaving us with just teases of all the fantastical characters. I wanted to spend more time getting to know Hellboy & Abe, instead it felt like a tease. Abe vanishes before the final act without warning and Hellboy takes out the baddie in the blandest way possible. But this is all a credit to the characters & performances, because if I'm aching for more then they've done something right.
Hellboy II gave me everything I wanted with the characters, so because this movie exists, the problems with Hellboy I are rectified, basically making it the intro.
molly1216 wrote:been thinking about the exposition intro on the 1st film..you are right that instead of making the 1st film an origin story, he compressed it to that lead in..however i appreciate how he made it do double duty by turning it into the VILLAINS origin story. nicely played.
mavrach wrote:molly1216 wrote:been thinking about the exposition intro on the 1st film..you are right that instead of making the 1st film an origin story, he compressed it to that lead in..however i appreciate how he made it do double duty by turning it into the VILLAINS origin story. nicely played.
Agreed. That's another problem with the superhero movie formula of making the first movie an origin - The hero comes about at the exact same time that the villain does. Blade's & Hellboy's approaches are almost a slice of life out of their regular routines.
It's a good thing that Superman showed himself at the exact same time that a maniac tried to sink California into the ocean isn't it?? Thank god Luthor didn't try that a year earlier!
mkiker2089 wrote:I remember thinking that both Hellboy and the first Spiderman movie would have been better without a major villain. I know the studio suits would have thought it insane, but think about it. Spiderman needed time to learn his powers. There's a story in that alone. Having him emerge from scared boy to someone who fights vigilante style with normal villains would have been enough. Maybe give him a crime boss, but there was no need to bring in a super villain so soon. Same with Hellboy, but a little different. Actually I'm not as sure how that would have worked but the movie felt better to me when it was in the character study phase.
Another problem with comic book movies is that they play on a final action scene that is usually way overdone. The Hulk will fight some ugly creature for 20 minutes and is by far the worst of all of them. I get the idea but after 5 minutes of watching CG characters hit each other I'm ready to move on. It reminds me of the badly made Kung Fu movies where people would hit each other to the point that it would have killed them, then get up and fight some more.
Back on the original subject let me add that Dog Soldiers is great. I remember blind buying it when it came out for god knows why and everyone I forced it on loved it. It's rare that a traditional monster movie can do that.
molly1216 wrote:pray tell me WHY ANYONE would EVER produce another Superman Origin story? it's a waste of film.

Attrage wrote:I can't decide what to do this year. Previous years I have gone with marathons. One year it was the Omen trilogy. Next year Halloween I and II, next year the first 3 Friday the 13th's, then Romero's original Dead trilogy. Then last year I revisited ALL of the Nightmare on Elm Street movies, even the atrocities of cinema that were Parts 5 and 6...so for this year I'm kinda stumped as to what to watch...
stypee wrote:Does anyone remember the 80's movie Nightmares? I believe Charlie Sheen was in it. It was sort of a cheesy Night Galleries type of flick
mavrach wrote:It played off a lot of innate and even childish fears. A new & empty house, dark attics, new sounds in an unfamiliar place, something hiding in the closet or under the bed, or unclear shapes that look like faces.
molly1216 wrote:Tonight's viewing
Old Dark House (1932)..classic screwball horror.strangely it turned out better than one expects...
Morgan's been at the bottle again! We make our own electric light here, and we are not very good at it. Pray, don't be alarmed if they go out altogether Have a potato....i need to put that on a t-shirt
Murder in the Zoo (1933)...gotta love a movie that starts with a guy getting his lips sewn together and thrown to tigers
and has a woman pushed over a railing into a Alligator pond...
Dr. Jekyll and Mr. Hyde (1931) I love Frederic March
HGervais wrote:I'm programming a Halloween film fest at the theater I direct at next week and here are the movies I plan on running:
Bubba Ho-tep
Below
Phantom of the Paradise
Near Dark
Rosemary's Baby
Halloween

HGervais wrote:I love Phantom of the Paradise and think it is Rocky Horror Picture Show except done right. It might also be my favorite Brian DePalma movie.
Dunnyman wrote:Can't Stop The Music Jesus H. Christ, why weren't the folks responsible for this sent up before the Hague? Just the "Starring the Village People & Steve Gutenberg" is enough to induce a full on body shiver. Not even a still hot Valerie Perrine could help this wretched mess. I don't remember 1979-80 to be that horrible, but maybe I was just a kid that didn't understand how close we'd come to the apocalypse.
Burson_Fouch wrote:Dunnyman wrote:Can't Stop The Music Jesus H. Christ, why weren't the folks responsible for this sent up before the Hague? Just the "Starring the Village People & Steve Gutenberg" is enough to induce a full on body shiver. Not even a still hot Valerie Perrine could help this wretched mess. I don't remember 1979-80 to be that horrible, but maybe I was just a kid that didn't understand how close we'd come to the apocalypse.
Please, CSTM, is disney compared to Sgt Pepper's Lonely Hearts Club Band or Xanadu.
Dunnyman wrote:Burson_Fouch wrote:Dunnyman wrote:Can't Stop The Music Jesus H. Christ, why weren't the folks responsible for this sent up before the Hague? Just the "Starring the Village People & Steve Gutenberg" is enough to induce a full on body shiver. Not even a still hot Valerie Perrine could help this wretched mess. I don't remember 1979-80 to be that horrible, but maybe I was just a kid that didn't understand how close we'd come to the apocalypse.
Please, CSTM, is disney compared to Sgt Pepper's Lonely Hearts Club Band or Xanadu.
Sgt Pepper's Lonely Hearts Club Band, despite the horrible plot,"acting", etc. The BeeGees and Frampton turned in some credible music, and Xanadu had both an excellent score AND Olivia at her hottest ever. Can't Stop The Music is just....dreck.
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