This one serious month of film from Criterion.
#68/Orpheus-Jean Cocteau
#249/The Battle of Algiers-Gillo Pontecorvo
#391/If....-Lindsay Anderson
#575/The Killing-Stanley Kubrick
#576/Secret Sunshine-Lee Chang-dong
#577/Cul-de-Sac-Roman Polanski
#578/The Complete Jean Vigo
À propos de Nice/1930
Zéro de conduite/1933
L’Atalante/1934
And from Eclipse:
Eclipse Series 28: The Warped World of Koreyoshi Kurahara
Intimidation-Koreyoshi Kurahara 1960
Elegantly stripped-down and carefully paced, Intimidation (Aru kyouhaku) is a moody early film from one of the Japanese New Wave’s preeminent stylists.
The Warped Ones-Koreyoshi Kurahara 1960
The anarchic descent into amoral madness that is The Warped Ones (Kyonetsu no kisetsu) sounded a lost generation’s cry for help and kicked off Japan’s cinematic sixties with a bang.
I Hate But Love-Koreyoshi Kurahara 1962
Inspired by Preston Sturges’s Sullivan’s Travels, I Hate But Love (Nikui anchikusho) is a high-octane romantic comedy and road movie.
Black Sun-Koreyoshi Kurahara 1964
You’ve probably never seen anything quite like this manic, oddball, anti–buddy picture about a young, jazz-obsessed Japanese drifter and a black American GI on the lam in Tokyo.
Thirst for Love-Koreyoshi Kurahara 1967
Kurahara adapted a novel by Yukio Mishima for Thirst for Love (Ai no kawaki), a tense psychological drama about a young woman who is widowed after marrying into a wealthy family.
