Dimwitted wrote:Thanks Steve!


Disc One: Alien
* 1979 Theatrical Version
* 2003 Director's Cut with Ridley Scott Introduction
* Audio Commentary by Director Ridley Scott, Writer Dan O'Bannon, Executive Producer Ronald Shusett, Editor Terry Rawlings, Actors Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton and John Hurt
* Audio Commentary (for Theatrical Cut only) by Ridley Scott
* Final Theatrical Isolated Score by Jerry Goldsmith
* Composer's Original Isolated Score by Jerry Goldsmith
* Deleted and Extended Scenes
* MU-TH-UR Mode Interactive Experience with Weyland-Yutani Datastream
Disc Two: Aliens
* 1986 Theatrical Version
* 1991 Special Edition with James Cameron Introduction
* Audio Commentary by Director James Cameron, Producer Gale Anne Hurd, Alien Effects Creator Stan Winston, Visual Effects Supervisors Robert Skotak and Dennis Skotak, Miniature Effects Supervisor Pat McClung, Actors Michael Biehn, Bill Paxton, Lance Henriksen, Jenette Goldstein, Carrie Henn and Christopher Henn
* Final Theatrical Isolated Score by James Horner
* Composer's Original Isolated Score by James Horner
* Deleted and Extended Scenes
* MU-TH-UR Mode Interactive Experience with Weyland-Yutani Datastream
Disc Three: Alien3
* 1992 Theatrical Version
* 2003 Special Edition (Restored Workprint Version)
* Audio Commentary by Cinematographer Alex Thomson, B.S.C., Editor Terry Rawlings, Alien Effects Designers Alec Gillis and Tom Woodruff, Jr., Visual Effects Producer Richard Edlund, A.S.C., Actors Paul McGann and Lance Henriksen
* Final Theatrical Isolated Score by Elliot Goldenthal
* Deleted and Extended Scenes
* MU-TH-UR Mode Interactive Experience with Weyland-Yutani Datastream
Disc Four: Alien Resurrection
* 1997 Theatrical Version
* 2003 Special Edition with Jean-Pierre Jeunet Introduction
* Audio Commentary by Director Jean-Pierre Jeunet, Editor Herve Schneid, A.C.E., Alien Effects Creators Alec Gillis and Tom Woodruff, Jr., Visual Effects Supervisor Pitof, Conceptual Artist Sylvain Despretz, Actors Ron Perlman, Dominique Pinon and Leland Orser
* Final Theatrical Isolated Score by John Frizzell
* Deleted and Extended Scenes
* MU-TH-UR Mode Interactive Experience with Weyland-Yutani Datastream
Disc Five: Making The Anthology
In addition to over 12 hours of candid, in-depth documentaries, you now have the ability to go even deeper into Alien Anthology history with nearly five hours of additional video Enhancement Pods created exclusively for this collection, presenting behind-the-scenes footage, raw dailies and interview outtakes from all four films. At topical points in the documentaries, you may access these pods to enhance your experience, or watch them on their own from the separate Enhancement Pod index.
The Beast Within: Making Alien
o Star Beast: Developing the Story
o The Visualists: Direction and Design
o Truckers in Space: Casting
o Fear of the Unknown: Shepperton Studios, 1978
o The Darkest Reaches: Nostromo and Alien Planet
o The Eighth Passenger: Creature Design
o Future Tense: Editing and Music
o Outward Bound: Visual Effects
o A Nightmare Fulfilled: Reaction to the Film
o Enhancement Pods
Superior Firepower: Making Aliens
o 57 Years Later: Continuing the Story
o Building Better Worlds: From Concept to Construction
o Preparing for Battle: Casting and Characterization
o This Time It's War: Pinewood Studios, 1985
o The Risk Always Lives: Weapons and Action
o Bug Hunt: Creature Design
o Beauty and the Bitch: Power Loader vs. Queen Alien
o Two Orphans: Sigourney Weaver and Carrie Henn
o The Final Countdown: Music, Editing and Sound
o The Power of Real Tech: Visual Effects
o Aliens Unleashed: Reaction to the Film
o Enhancement Pods
Wreckage and Rage: Making Alien3
o Development Hell: Concluding the Story
o Tales of the Wooden Planet: Vincent Ward's Vision
o Stasis Interrupted: David Fincher's Vision
o Xeno-Erotic: H.R. Giger's Redesign
o The Color of Blood: Pinewood Studios, 1991
o Adaptive Organism: Creature Design
o The Downward Spiral: Creative Differences
o Where the Sun Burns Cold: Fox Studios, L.A. 1992
o Optical Fury: Visual Effects
o Requiem for a Scream: Music, Editing and Sound
o Post-Mortem: Reaction to the Film
o Enhancement Pods
One Step Beyond: Making Alien Resurrection
o From the Ashes: Reviving the Story
o French Twist: Direction and Design
o Under the Skin: Casting and Characterization
o Death from Below: Fox Studios, Los Angeles, 1996
o In the Zone: The Basketball Scene
o Unnatural Mutation: Creature Design
o Genetic Composition: Music
o Virtual Aliens: Computer Generated Imagery
o A Matter of Scale: Miniature Photography
o Critical Juncture: Reaction to the Film
o Enhancement Pods
o MU-TH-UR Mode Interactive Experience to Access and Control Enhancement Pods
Disc Six: The Anthology Archives
Alien
* Pre-Production
o First Draft Screenplay by Dan O'Bannon
o Ridleygrams: Original Thumbnails and Notes
o Storyboard Archive
o The Art of Alien: Conceptual Art Portfolio
o Sigourney Weaver Screen Tests with Select Director Commentary
o Cast Portrait Gallery
* Production
o The Chestbuster: Multi-Angle Sequence with Commentary
o Video Graphics Gallery
o Production Image Galleries
o Continuity Polaroids
o The Sets of Alien
o H.R. Giger's Workshop Gallery
* Post-Production and Aftermath
o Additional Deleted Scenes
o Image & Poster Galleries
* Experience in Terror
* Special Collector's Edition LaserDisc Archive
* The Alien Legacy
* American Cinematheque: Ridley Scott Q&A
* Trailers & TV Spots
Aliens
* Pre-Production
o Original Treatment by James Cameron
o Pre-Visualizations: Multi-Angle Videomatics with Commentary
o Storyboard Archive
o The Art of Aliens: Image Galleries
o Cast Portrait Gallery
* Production
o Production Image Galleries
o Continuity Polaroids
o Weapons and Vehicles
o Stan Winston's Workshop
o Colonial Marine Helmet Cameras
o Video Graphics Gallery
o Weyland-Yutani Inquest: Nostromo Dossiers
* Post-Production and Aftermath
o Deleted Scene: Burke Cocooned
o Deleted Scene Montage
o Image Galleries
o Special Collector's Edition LaserDisc Archive
o Main Title Exploration
o Aliens: Ride at the Speed of Fright
o Trailers & TV Spots
Alien3
* Pre-Production
o Storyboard Archive
o The Art of Arceon
o The Art of Fiorina
* Production
o Furnace Construction: Time-Lapse Sequence
o EEV Bioscan: Multi-Angle Vignette with Commentary
o Production Image Galleries
o A.D.I.'s Workshop
* Post-Production and Aftermath
o Visual Effects Gallery
o Special Shoot: Promotional Photo Archive
* Alien3 Advance Featurette
* The Making of Alien3 Promotional Featurette
* Trailers & TV Spots
Alien Resurrection
* Pre-Production
o First Draft Screenplay by Joss Whedon
o Test Footage: A.D.I. Creature Shop with Commentary
o Test Footage: Costumes, Hair and Makeup
o Pre-Visualizations: Multi-Angle Rehearsals
o Storyboard Archive
o The Marc Caro Portfolio: Character Designs
o The Art of Resurrection: Image Galleries
* Production
o Production Image Galleries
o A.D.I.'s Workshop
* Post-Production and Aftermath
o Visual Effects Gallery
o Special Shoot: Promotional Photo Archive
* HBO First Look: The Making of Alien Resurrection
* Alien Resurrection Promotional Featurette
* Trailers & TV Spots
Anthology
* Two Versions of Alien Evolution
* The Alien Saga
* Patches and Logos Gallery
* Aliens 3D Attraction Scripts and Gallery
* Aliens in the Basement: The Bob Burns Collection
* Parodies
* Dark Horse Cover Gallery
* Patches and Logos Gallery
* MU-TH-UR Mode Interactive Experience
Andrew Forbes wrote:I'm hoping for a Mad Max release.
Gabriel Girard wrote:The Crow !!! especially if Proyas is allowed to do commentary.
Steve T Power wrote:Gabriel Girard wrote:The Crow !!! especially if Proyas is allowed to do commentary.
There was a Proyas commentary recorded for the two-disc edition on DVD, and it was dumped by Jeff Most. I'd like to see that come back.
Gabriel Girard wrote:Steve T Power wrote:Gabriel Girard wrote:The Crow !!! especially if Proyas is allowed to do commentary.
There was a Proyas commentary recorded for the two-disc edition on DVD, and it was dumped by Jeff Most. I'd like to see that come back.
That's what I meant by being allowed to do commentaryIf you do something and it gets censored or destroyed, then you never really were allowed to do it...
Gabriel Girard wrote:Double post because I remembered that a few of Scorsese's underrated films either need better treatment or would be awesome in Blu...Casino ... yeah where are they?
J.M. Vargas wrote:Gabriel Girard wrote:Double post because I remembered that a few of Scorsese's underrated films either need better treatment or would be awesome in Blu...Casino ... yeah where are they?
Don't forget to use the amazon link so the Verdict gets some cyber-cash: http://www.dvdverdict.com/reviews/casinobluray.php.
J.M. Vargas wrote:
Warner Home Video has announced two classic movies starring Humphrey Bogart and directed by John Huston for release on Blu-ray on October 5: the 1941 detective story The Maltese Falcon, based on a novel by Dashiell Hammett, and the 1947 anti-heroic adventure The Treasure of the Sierra Madre.
Special features include:
The Maltese Falcon
Commentary by Bogart Biographer Eric Lax
Featurette: The Maltese Falcon: One Magnificent Bird
Breakdowns of 1941: Studio Blooper Reel
Makeup tests
Becoming Attractions: The Trailers of Humphrey Bogart
Warner Night at the Movies 1941 – Short Subjects Gallery:
Newsreel
Musical Short: The Gay Parisian
Two Classic Cartoons:
Hiawatha's Rabbit Hunt
Meet John Doughboy
Trailers
The Maltese Falcon
Sergeant York
Satan Met a Lady (1936 previous Falcon movie adaptation)
Audio-Only Bonus: Three radio show adaptations – two featuring the movie's original stars, plus another starring Edward G. Robinson
The Treasure of the Sierra Madre
Commentary by Bogart biographer Eric Lax
Featurette: Discovering Treasure: The Story of The Treasure of the Sierra Madre
Feature-length documentary profile: John Huston
Outtakes
Classic Cartoon: 8 Ball Bunny
Warner Night at the Movies 1948 – Short Subjects Gallery:
Newsreel
Joe McDoakes Comedy Short: So You Want to Be a Detective
Classic Cartoon: Hot Cross Bunny
Trailers:
The Treasure of the Sierra Madre
Key Largo
Audio-Only Bonus: Radio show adaptation featuring the movie's original stars
Source: http://www.blu-ray.com/news/?id=4803
AddisonDewitt wrote:Isn't this what was on the original dvd release anyway? Considering the huge collection I have, I am looking at replacing the movies that are color first that are worth upgrading to rather than dipping into these B&W ones. Is there any validity in doing that?
cdouglas wrote:I'm excited about those two Huston/Bogart movies, but man, that's some crappy cover art.
Andrew Forbes wrote:cdouglas wrote:I'm excited about those two Huston/Bogart movies, but man, that's some crappy cover art.
Beats the hell out of the Maltese Falcon 3-disc DVD.
J.M. Vargas wrote:AddisonDewitt wrote:Isn't this what was on the original dvd release anyway? Considering the huge collection I have, I am looking at replacing the movies that are color first that are worth upgrading to rather than dipping into these B&W ones. Is there any validity in doing that?
It is entirely up to you and whether you're a big-enough fan of a movie (i.e. you come back again and again often enough) to justify to yourself the cost of an upgrade. If you don't own a movie and there's an equally-priced DVD and Blu-ray version available (Criterion's new "Stagecoach" comes to mind) you'd be a fool not to go with the Blu IF the transfer is good. Personally I couldn't live with my (pretty good) Criterion two-disc DVD of "The Third Man" so I upgraded to Blu on that one, while "M" (which I admire and like but haven't seen more than three times) is perfectly fine to me in DVD even though the Blu version is better. Don't assume that because it's B&W the jump to high-def isn't as dramatic as with color. While some B&W movies don't look too much different from DVD to Blu ("The 400 Blows" comes to mind) the high-def transfers of old B&W movies like "The Seventh Seal," "Casablanca" and "The Wages of Fear" (to name just three of the really good one's) are every bit as startling and eye-popping as a color movie. So no, there's no validity to a B&W movie not looking dramatically better on Blu than on DVD. There is validity, however, to whether the upgrade is worth it if you already own a movie and it isn't watched often-enough to be worth the cost of an upgrade. Sales like the current one at B&N make this sort of decisions even trickier.
Gabriel Girard wrote:Apocalypse Now
...we can confirm that the studio [Zoetrope] IS currently working on an ultimate Blu-ray release of Apocalypse Now. And from what we've heard, they are absolutely doing it right and including everything you'd want from an ultimate release of the film. (Note that a pre-order listing for just such a release appeared very briefly on Amazon.ca about a week ago, but was quickly pulled. It indicated the set would include BOTH cuts of the film AND the Hearts of Darkness documentary in the same package.)
cdouglas wrote:Thinking about this as I was listening to the soundtrack the other day... I'd love to have Ken Russell's Altered States in hi-def. Visually ambitious and a tremendously engaging movie. Actually, I think that would be a good pick for Criterion, but I'd be happy with some sort of hi-def release either way.
cdouglas wrote:Ooh, Apocalypse Now and Hearts of Darkness in one set?.
Andrew Forbes wrote:Some that have come to mind, recently:
El Dorado
The Game
The Man Who Shot Liberty Valance
Rosemary's Baby
The Shootist
Prince of Darkness
Dead Ringers
Scanners
Naked Lunch
The Brood
Blow Out
Dressed to Kill
Tenebre
Deep Red
Opera
I am also hoping the forthcoming Escape from New York isn't the same horrible-looking upconversion as the UK version.
Andrew Forbes wrote:Oh, and Ergo Proxy. Speaking of which, is there a resource that lists which anime titles are natively HD? I understand that most anime has been (and in many cases, still is) produced in SD, so most BR releases are upconversions. The only two titles I know were produced in HD are Samurai 7 and Ergo Proxy.
Steve T Power wrote:Andrew Forbes wrote:Oh, and Ergo Proxy. Speaking of which, is there a resource that lists which anime titles are natively HD? I understand that most anime has been (and in many cases, still is) produced in SD, so most BR releases are upconversions. The only two titles I know were produced in HD are Samurai 7 and Ergo Proxy.
Based on the pretty drastic difference between the DVD and blu-Ray transfers, i'd say Sword of the Stranger was a high-def master as well, likewise Appleseed: Ex Machina. I'd wager to guess that most of the theatrical features are at least, while series are more likely produced in SD. It's all created digitally, so I wouldn't be surprised if they start life as 1080p masters.
Gabriel Girard wrote:Any Ken Russell film - take your pick.
cdouglas wrote:Gabriel Girard wrote:Any Ken Russell film - take your pick.
Tommy comes out on Blu-ray in a couple months.
Gabriel Girard wrote:Cat People (original)
The Haunting (original)
Dagon
Users browsing this forum: No registered users and 1 guest