Case Number 15170: Small Claims Court

ALISON KRAUSS: A HUNDRED MILES OR MORE, LIVE FROM THE TRACKING ROOM

Rounder Records // 2007 // 60 Minutes // Not Rated
Reviewed by Judge Ryan Keefer (Retired) // December 6th, 2008

The Charge

Laid back music with a quietly reputable cast of guest stars -- count me in!

The Case

This is going to border on heresy I'm sure, but aside from her work on O Brother, Where Art Thou? I wasn't really all that familiar with Alison Krauss and her supporting band Union Station. But upon further review, holy crap, she's been doing this music thing for quite awhile! Rounder Records, who released this small performance video shot in studio, has been releasing Krauss' music for over two decades now. It was her movie work which helped shine a light not only on bluegrass music in general, but on her specifically. Her voice is distinctive across the musical landscape, and her unique covers of songs by the Beatles, Bad Company, and the Allman Brothers helped give bluegrass a new, fresh look, standing as the rather attractive face of bluegrass music today.

This particular performance was filmed at Nashville's Tracking Room studio and aired on television as a promotional tie-in to Krauss' album, which was also titled "A Hundred Miles or More." The playlist is as follows:

* "You're Just a Country Boy"
* "Away Down the River"
* "How's the World Treating You" (with James Taylor)
* "Sawing on the Strings" (with Tony Rice)
* "Shadows" (with Tony Rice)
* "Whiskey Lullaby" (with Brad Paisley)
* "Jacob's Dream"
* "Lay Down Beside Me" (with John Waite)
* "Simple Love"

Now of course, this feature includes performances of songs from the album, but it is not the entire album on video. A duet of Waite's 1984 hit "Missing You" is one of the songs not included for this broadcast, and it's regrettable, because in the few seconds that was shown of it (to introduce "Lay Down Beside Me") it sounded pretty good. Aside from the songs, this feature also includes interviews with the guest musicians and their opinions of Krauss and the reasons for working with her now on this album. Krauss talks about the album, while the band talks about working with Krauss. It sounds like she is as easygoing as her outward persona seems to be.

If there's a couple things that aren't pleasant about this feature, it's the fact that it was done strictly for television, and is presented as such. A PBS-produced broadcast would have gotten at least a widescreen presentation and/or six-channel surround sound with it, but as it stands, the Great American Country channel (or GAC) gives the album a two-channel stereo soundtrack on television and presents it in full frame. Ugh, you'd think they could've sprung for more. But when you're GAC, I guess you're on the cheap.

Ultimately, A Hundred Miles or More is decent enough, but several things go against recommending purchase, or even rental -- this doesn't cover all of the material from the album, and the GAC aired this already. So, if you like Krauss and Union Station, you probably have already seen this and burned it onto a blank disc. If you haven't, you're probably content with just listening to Krauss on CD, mp3 or whatever, and this release doesn't really give you a compelling reason to look into it further.

Review content copyright © 2008 Ryan Keefer; Site layout and review format copyright © 1998 - 2014 HipClick Designs LLC

Scales of Justice
Judgment: 76

Perp Profile
Studio: Rounder Records
Video Formats:
* Full Frame

Audio Formats:
* Dolby Digital 2.0 Stereo (English)

Subtitles:
* None

Running Time: 60 Minutes
Release Year: 2007
MPAA Rating: Not Rated

Distinguishing Marks
* None

Accomplices
* AlisonKrauss.com
http://www.alisonkrauss.com/