Case Number 02468


Paramount // 1993 // 1180 Minutes // Not Rated
Reviewed by Judge Eric Profancik (Retired) // December 16th, 2002

The Charge

"Q, what is going on?"
"I told you: you're dead, this is the afterlife, and I'm God."
"You are not God!"
"Blasphemy! You're lucky I don't caste you out or smite you or something."
-- Picard and Q, "Tapestry"

Opening Statement

If you know nothing else about me, you know that I am a devoted fan of Star Trek. There's a lot that I will tolerate from this franchise that I would abhor in other venues. After hundreds and hundreds of hours of watching, I can cut it some slack and forgive most of its sins. With the recent release of Nemesis, I stumbled across this from Glenn Kenny in Premiere magazine: "The Star Trek movies really come up short if you insist on seeing them as movie per se; so much of one's reaction to them is tied into whatever affection/devotion one has for/to the television series that spawned them."

We're not talking about the movies, but obviously his sentiments easily transcend to the series themselves.

In my world of entertainment, Star Trek is my primary passion, my foremost hobby, my favorite pastime. I have watched every episode of every show, seen every movie numerous times, read the books, listened to the CDs, gone to conventions, and more. I have invested a lot of time, money, and energy into the franchise and I'm not ready to give up on it. In the end, I'm still having fun.

TNG will always be held in the highest regard for me because it is the first Trek that I grew up with. Yes, I was already in my late teens when "Encounter at Farpoint" premiered, but it's still "my" Trek. I wasn't born for the original, so while I love that show, it isn't as close to me as some of its spin-offs.

I don't see any reason to give up on Trek. It may occasionally falter, as all things tend to do, but there's still strength and vitality buried deep in its lore.

Though I may see Trek through rose-colored glasses, I'm not completely impartial and blind to its strengths and weaknesses. Surprisingly, I do have a slight modicum of objectivity left.

Facts of the Case

The quality of the seasons over the seven year run of TNG follows the shape of everyone's favorite bell curve: the first season was quite dreadful; season two showed distinct improvement but still had quite a few dogs; seasons three, four, and five exhibited many outstanding episodes highlighting the peak of writing; season six began a downward slide in quality; and season seven felt incomplete in tying up loose ends yielding a less-than-satisfying conclusion to the series.

And here we are, looking back at season six. The end was clearly in sight and a bit of sadness began to seep in knowing that there were a distinct number of new episodes left. Unfortunately, the episodes just weren't as consistently good as you'd come to expect over the past few years. But, you didn't care. It was Trek. You just enjoyed the ride while it lasted.

Then something odd happened: Deep Space 9 (DS9). The second spin-off premiered, giving the venerable TNG a little bit of competition. Actually, there wasn't any real competition, as DS9 could never muster the same fervent following like Picard and his crew. But it was there, perhaps stealing a bit of the creativity and energy leading to the lackluster batch of episodes during this sixth season.

To me, one of the glaring problems during these latter years of TNG was its fixation on Data and Worf. Personally, I find the occasional Klingon episode interesting, but I've never really cared all that much about Worf's culture to want to learn as much as they cared to show. It's a big universe, so let's spread it around a bit, and not take the easy route with one race. And, speaking of effortless, how many episodes unnecessarily focused on our android friend? Much to the joy of the Spiner-fems of the world, Data's popularity led to his being the focus of more episodes with each passing week. Again, he is an interesting character, but we need to continue to mix it up to keep it fresh and exciting for the fans.

Let's take a quick look at this motley group of 26 episodes and see what's really lurking beneath all that makeup. As I've done in my other reviews of the TNG sets, I've compiled the individual episode scores to determine the story score in the Scales of Justice.

"Time's Arrow, Part II"
Our intrepid crew is stuck in 19th century America with a far too nosy Mark Twain. An excellent opportunity to explain how the ageless Data seems to be getting older is squandered. Grade: B-

"Realm of Fear"
Mr. Broccoli displays another personality quirk and goes hunting for space worms in a transporter beam. It's rather dull except for the interesting first-person point-of-view of the transporter process. Grade: B-

"Man of the People"
Yum, Troi in a negligee. The other forty-one minutes, fifty seconds are irrelevant. Grade: C

Captain Montgomery Scott is found in a transporter buffer. Unfortunately, all of his cells are intact and he's still frightfully overweight. Grade: B+

Subspace aliens kidnap some Enterprise crewmembers, including Riker, and do medical experiments on them. That wouldn't be a problem except that it's interrupting Riker's beauty sleep and it's really taking a toll. The bags under his eyes could support me for a weeklong jaunt to Vegas. Grade: B-

After being absent for the entirety of season five, our favorite omnipotent friend returns to lay claim on a young human who just happens to be the child of two excommunicated Q. The truly darker side of Q comes out to play as the human is tested to see if she is a member of the Continuum or not. Grade: A

Perhaps the silliest idea ever to sprout from the writers, Picard, Troi, Ro, and Guinan are turned into children just as some bold Ferengi attack the Enterprise. Worf forgets how to aim a phaser, and it's up to the kiddies to save the day. Grade: A

"A Fistful of Datas"
I was wrong. Truly the silliest idea to sprout from the writers, Worf, Alexander, and Troi are partaking in an Ancient West holo-adventure when the computer goes amuck and turns off the safety protocols. Even worse, all of the incidentals are played by Data, and he doesn't look good in a dress. Grade: C

"The Quality of Life"
Data discovers his long-lost nieces and nephews; alas, only he realizes that the exocomps are sentient. Grade: C+

"Chain of Command, Part I"
Once you get past the lame setup of why only Picard can lead this clandestine operation, there's an excellent episode where you see our favorite crew rattled by a new Captain. Troi is forced to wear an official blue Starfleet uniform by the new boss, and, wow!, have we been missing something for five years! Grade: A-

"Chain of Command, Part II"
Picard may be an excellent Captain, but he sucks when it comes to covert missions. He's just begun his mission when, in no time flat, he's captured. Luckily from that point on, you get to watch a mesmerizing episode where Picard is tortured by St. John Talbot, I mean Chancellor Gorkon, I mean Gul Madred. Grade: A

"Ship in a Bottle"
Professor Moriarty, from season one's "Elementary, Dear Data," is inadvertently brought back online when Lt. Barclay discovers the program in the holo-computer matrix. Desperately wanting to be freed from the confines of the holodeck, Moriarty is determined to find a way for holomatter to exist in the "real world." Cogito ergo sum! Grade: A

Geordi really knows how to pick his women. This time the lady he gets all excited about, again without truly ever meeting, might just happen to be a murderer. Grade: C

"Face of the Enemy"
Troi, forced into an elaborate plot to assist Spock's Unification movement, finds her long-lost gumption and maneuvers a Romulan Warbird to confront the Enterprise. Grade: A

Picard is killed during an away mission, and Q visits Jean Luc in the afterlife. No, really! Q gives Picard a chance to revisit and change a regretted decision in his past. Only then does Picard realize how each event is a thread in the tapestry of life and pulling on one can have major consequences. Grade: A+

"Birthright, Part I"
A crossover episode with DS9 propels silly revelations about Worf and Data's "fathers." Data discovers a dormant program while Worf learns that Romulans captured his father. This would have been tolerable if there wasn't a part two. Grade: C

"Birthright, Part II"
The Worf story continues when he discovers a group of captured Klingons living peacefully with their Romulan jailors. Why oh why did they let Worf leave that planet? Grade: C

"Starship Mine"
Data learns the fine art of small talk, Picard becomes a barber, and Tuvok helps take over the Enterprise. Grade: A

Picard gets a girlfriend and makes out in a Jeffries tube! More importantly, the theme from "The Inner Light" makes a beautiful return. Grade: B

"The Chase"
This episode forwards an explanation for why there are so many bipedal, humanoid-like aliens in the Trek universe. Unfortunately, the ending is a bit of a letdown after a solid build-up. Grade: B-

"Frame of Mind"
A fantastic story that blurs the line of reality. It's truly the ultimate Riker episode where you're not completely sure if he's lost his mind or not. Grade: A+

Gosh, I wonder who's the murderer? Hmm, I never would have guessed! These Crusher episodes always seem to be a tad flat. Grade: B-

"Rightful Heir"
Attack of the Clone! Grade: B-

"Second Chances"
Attack of the Clone, Part Deux! Did you know that the "T" in William T. Riker stands for Tiberius? Funny, I always thought it was Thomas. (And, yes, I know there are no actual clones in this episode.) Grade: B

"Ugh. Crusher gets shriller with each passing year." And they passed up a perfect opportunity to rectify that. Grade: A

"Descent, Part I"
The prolongation of the kinder and gentler Borg. This silly legacy wouldn't be quashed until First Contact. Stupid Lore! Grade: B

As much as everyone loves the Borg (myself most definitely included), isn't it sad that the writers ran out of ideas for an exciting season-ending episode? Just because the cliffhanger worked stupendously at the end of year three, did they also have to do it again in year four and again in year five and again in year six? Further, the Borg already laid claim to the end of season three and Data already laid claim to the end of year five, so why couldn't they come up with something brand new for this year instead of just lumping the two together? Oh, I forgot! The writers were stuck in a rut this year. They took the easy way out by using the win-win characters.

The Evidence

The latest batch of DVDs from the fiends at Paramount gives us more of the same. If you own any of the previous seasons, you know exactly what to expect here. No surprises, no revelations, no little extras. It's par for the course and the audio and video transfer mimic what you've already seen, which is certainly not a bad thing. The video gives us each full frame episode with excellent, rich colors, accurate flesh tones, solid blacks, and no transfer errors. The 5.1 remix of the episodes continue to satisfy with clean and clear dialogue through the center channel, a decent thrum through the subwoofer, and only minimal use of the surrounds. As always, I still wish the audio could have been just a tad better: more powerful, more defined, more separated. Since the release of season four, I've seen little change in the transfers so you can utilize that as a gauge, if necessary.

Bonus features follow the usual pattern, with only a tiny variation in the mix:

* Mission Overview Year 6 (17.5 minutes): A fairly interesting, though somewhat dry, overview of special events during this season: the resolution of "Time's Arrow," the return of Mr. Scott, the premiere of DS9, the challenges of "Chain of Command," and the appearance of the Borg and Stephen Hawking in "Descent." As always, there really isn't anything that new learned in this feature. Any moderate fan will already know just about everything stated.

* Bold New Directions (17.5 minutes): The feature details the directing debuts of Patrick Stewart and LeVar Burton. Not a bad feature but, ignoring the few minutes with Burton, this really isn't the best way to talk about the man who breathes life into Captain Picard. There are many other things I'd rather know about Stewart than how and why he wanted to direct episodic TV. Doesn't he deserve a full crew profile of his own?

* Department Briefing -- Production (15 minutes): The production department takes a few minutes to enlighten us about a few tricks of their trade by detailing some of what they did in "Relics" (the Dyson Sphere), showing us some makeup tips, and pointing out some of their "special graphics." After that, you get a quick run through on the season's writing.

* Department Briefing -- Profile, Dan Curry (19.5 minutes): There are a lot of people that go into making a series, so it's a bit odd that they've picked the Visual Effects Producer as the first recipient of this special crew profile. Granted, he's an interesting if yet extremely quirky guy who's contributed quite a bit to the franchise, but you still have to say "hmmm?." And, wow, he's got a nice pad. Glad to know that my money is being well spent.

* Special Crew Profile -- Lt. Commander Data (18.5 minutes): The loud piercing shriek of the Spiner-fems has given me a migraine. They are in joy over this special segment dedicated exclusively to Brent Spiner and his android persona. It's not a bad bit, but it is incredibly insulting that it took six seasons to get to the exclusive cast profile. But why Data? Why not Picard, the captain of the Enterprise? I believe every major cast member deserved this treatment. This just goes to prove how fixated everyone is with Data.

You are also treated to two trailers: the teaser for Star Trek: Nemesis, which I wish was in Dolby 5.1, and a teaser for the upcoming DS9 DVD sets for 2003. In each case, both trailers are fantastic. The Nemesis teaser has been around for months and is a beautifully crafted trailer that gave the tenth film a riveting and captivating new look for the franchise. Upon seeing the snippet for DS9, I am very excited to revisit this underappreciated spin-off. A great series with fascinating characters and an interesting story arc, it certainly appears that Paramount may do this set better than the lackluster treatment of TNG.

And, again, no outtakes, deleted scenes, jokes, puns, or fun. It's all cut and dry and serious. Lighten up, Paramount! This is your crown jewel, so show it off a little bit more! That tiny snippet of Stewart singing on the season five set, do you remember that? We love that stuff. It's new material like that that we crave and want more all regards.

The Rebuttal Witnesses

This time I am not going to pretend to say anything negative. I know from reading the posts in the Jury Room that I could never contrive a sentiment to mirror what many of you truly feel.

Closing Statement

Fortunately, TNG is among the favored few of the Trek pantheon, so you are already quite familiar with the series, the sets, and so forth. You don't need me to tell you how to proceed here, for you've already decided if the release is worthy of being a part of your collection. For me, there's no better way to spend my money then on my favorite pastime. I gladly own every set and gleefully recommend that you own it as well. While this season does not have the strongest selection of episodes, there are a few in there that are among the absolute best that Trek has ever made. You know the actors, the characters, the sets, the special effects, and Paramount's attempts at bonus materials. There are no surprises, which is quite apropos, so go forth and live long and prosper.

The Verdict

Paramount is found guilty of continued lackluster treatment of the bonus materials in the premiere franchise. They are sentenced to a year in the dilithium mines of Rura Penthe.

The writers of the sixth season are sentenced to one month of probation and community service for putting forth a mediocre batch of stories during this year.

Case adjourned.

Review content copyright © 2002 Eric Profancik; Site layout and review format copyright © 1998 - 2016 HipClick Designs LLC

Scales of Justice
Video: 88
Audio: 85
Extras: 70
Acting: 95
Story: 85
Judgment: 88

Perp Profile
Studio: Paramount
Video Formats:
* Full Frame

Audio Formats:
* Dolby Digital 5.1 Surround (English)
* Dolby Digital 2.0 Surround (English)

* English

Running Time: 1180 Minutes
Release Year: 1993
MPAA Rating: Not Rated

Distinguishing Marks
* Mission Overview Year 6
* Bold New Directions
* Department Briefing: Production
* Department Briefing: Profile, Dan Curry
* Special Crew Profile: Lt. Commander Data
* Teaser Trailer for Star Trek: Nemesis
* Star Trek: Deep Space 9 Collector's Edition Trailer

* IMDb

* Official Star Trek Site