Judge David Johnson lives in a house of lice.
Survival of the slickest.
Showtime puts more skin in the original series game—literally.
Facts of the Case
In the world of management consulting, few are as successful—and horny—as Marty Kaan (Don Cheadle, Iron Man 2). Regularly dispatched to big-time corporations that are in desperate need of image makeovers or complex solutions to organizational problems, Marty and his crew apply their fast-talking, pants-dropping skills to rescue their clients from the abyss of bankruptcy…or worse.
Along for the ride is Marty's up-and-coming shark-to-be, Jeannie (Kristen Bell, Veronica Mars), who's got the charm, smarts, and diabolical edge to carve her name into the House of Lies' book of legends. She just needs a little bit of real-world experience and the guiding hand of Marty. Unfortunately for her, she has no idea where that hand's been.
Smarmy innuendo aside, what brings down House of Lies isn't the fleshy nether-regions of its foul-mouthed supporting cast, it's the simple fact that this show isn't funny. Which is a deal-breaker because what we're left with is the character work and the plot lines, neither of which bring the win. On the other hand, one of those elements fail less, so I suppose that's a victory.
That element is the storytelling, which crackles at times. What the writing team lacks in joke-telling, they make up for in decently crafted corporate yarns. The current-events similarities are impossible to ignore, but this isn't some half-assed "ripped from the headlines" network procedural. These stories find inspiration in contemporary Wall Street tomfoolery, and flesh out unique story arcs. The inside baseball corporate maneuvering is interesting, buttressed by a steady stream of colorful episode-specific characters.
It's a bummer the lead characters aren't as interesting. Schwartz' Clyde cracks wise, but it's the opposite of his Parks and Recreation Jean-Ralphio obviousness. This dude is a straight-up douchebag, whose schtick isn't helped by the fact that the writers give him about a 5-1 ratio of funny-to-unfunny lines.
But the biggest disappointments are Bell and Cheadle, both of whom trade in wit and charm for one-dimensional, half-baked hear-me-roar feminism (Bell) and preening a-holery (Cheadle). Exhibit A: Multiple times in each episode, Marty freezes time and addresses the audience, informing us about cool management consultant colloquialisms. Yes, he's Zack Morris.
Showtime's House of Lies: The First Season gives us decent standard def 1.78:1 anamorphic widescreen transfers, Dolby 5.1 Surround mixes, and English closed captioned subtitles. Extras include two commentary tracks and four small behind-the-scenes featurettes.
Come for the promise of nipples and fictional corporate shenanigans, stay
for…well, maybe there's not a whole lot to stay for actually.
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Scales of Justice
Studio: Showtime Entertainment
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