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Case Number 14495

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Las Vegas: Season Five

Universal // 2007 // 874 Minutes // Not Rated
Reviewed by Judge Victor Valdivia (Retired) // September 11th, 2008

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All Rise...

What happens at Judge Victor Valdivia's stays at Judge Victor Valdivia's. No one else wants it anyways.

Editor's Note

Our reviews of Las Vegas: Season One (published May 4th, 2005), Las Vegas: Season Two (published November 16th, 2005), and Las Vegas: Season Three (published November 1st, 2006) are also available.

The Charge

Fast. Furious. Final Season!

Opening Statement

It's interesting how something that can seem grating and insufferable in one medium can actually seem harmless and even likable in another. If Las Vegas: Season Five were a movie, it would be a textbook example of everything vacuous and incoherent in modern movies. Yet strangely, as a TV series, it's good shallow fun. Though fans of this show's earlier seasons might be put off by this season's major cast changes and the fact that the show was cancelled just after this season ended, for the most part this is still the show they know and love and forget almost immediately after watching.

Facts of the Case

Here are the episodes contained on the set's four discs:

Disc One
• "A Hero Ain't Nothin' But a Sandwich/Gift Rap"
Ed (James Caan, The Godfather) and Mary (Nikki Cox, Unhappily Ever After) are both suspects in the shooting of her father and are forced to become fugitives. Sam (Vanessa Marcil, General Hospital) is abducted and nearly raped before she turns the table on her attacker. The Montecito Casino gets a new owner, A.J. Cooper (Tom Selleck, Magnum P.I.), and a new concierge, Piper (Camille Guaty, The Nine).

• "The Glass Is Always Cleaner"
Danny (Josh Duhamel, Transformers) is convinced he deserves to be the new president of the Montecito, especially now that he and Delinda (Molly Sims, Starsky & Hutch) are expecting a baby, but he faces stiff competition from Mike (James Lesure, For Your Love).

• "Head Games"
Sam begins to suffer post-traumatic stress disorder from her ordeal, while the Pacific Tropic Bikini Contest is moved to the Montecito.

• "Run, Cooper, Run"
Cooper may have been framed for a murder, and it's up to Danny and Mike to prove his innocence.

Disc Two
• "When Life Gives You Lemon Bars"
Delinda's new chef is quickly revealed as a major prima donna, and Cooper butts head with Sam over how best to draw "whales" (high rollers) to the casino.

• "Adventures in the Skin Trade"
Delinda urges Danny to launch a campaign for better working conditions for strippers.

• "It's Not Easy Being Green"
Delinda pushes the rest of the staff to consider new ways to protect the environment.

• "My Uncle's a Gas"
Danny's alcoholic uncle Luke (William Forsythe, Gotti) visits just as the Montecito is attacked by a well-trained team of robbers.

• "The High Price of Gas"
In the aftermath of the robbery, Luke quickly becomes the prime suspect and the Montecito faces possible bankruptcy.

Disc Three
• "A Cannon Carol"
A Christmas Carol is retold through Mike's eyes as he learns that his elaborate plans for Christmas have been cancelled.

• "I Could Eat a Horse"
Cooper enlists Danny and Mike to buy an expensive horse for his ranch from a seller who doesn't like him.

• "3 Babes, 100 Guns and a Fat Chick"
A multitude of deadly bounty hunters and high-strung FBI agents all converge on the Montecito to track down a legendary Mafia fugitive.

• "Secrets, Lies and Lamaze"
Cooper lavishes a considerable amount of attention on Piper, raising eyebrows with the rest of the staff.

• "Guess Who's Coming to Breakfast"
Mike and Piper join forces to recruit a new bartender for the Montecito, and wind up compromised in more ways than one.

Disc Four
• "2 on 2"
Mike and Danny are the stars of a 2-on-2 basketball tournament, but learn that losing may cost them more than their pride.

• "Win, Place, Bingo"
Cooper, Danny, and Mike become suspicious of a client who keeps winning all his bets.

• "High Steaks/Three Weddings and a Funeral"
A team of armed robbers seizes control of the Montecito and it becomes apparent that they're not necessarily after the most obvious prizes. Cooper is challenged for ownership of the casino, and Danny and Delinda face a crisis in her pregnancy.

The Evidence

A casual viewer would be forgiven for looking at Las Vegas: Season Five and seeing it as an example of a once white-hot series past its prime. Critical cast members replaced? Story arcs involving pregnancy and weddings? Yes, all the elements of a show ready for cancellation are here. Indeed, this did prove to be the last season for the series, as dwindling ratings, cast changes, and the writers' strike all led NBC to pull the plug at the end of this season, even though it ended with a fairly elaborate cliffhanger.

Actually, while Las Vegas may sometimes seem like a shadow of its formerly dazzling self, this season is surprisingly lively and entertaining. No, Las Vegas was never a show built on intricate writing or sharply defined characters. What else would you expect from creator and executive producer Gary Scott Thompson, who wrote the script for The Fast and the Furious? Las Vegas is about sexy stars, bright lights, some action and comedy, and stories that are usually easy to understand and resolve in less than one hour. It's lightweight entertainment, the TV equivalent of Doritos. You know you should be consuming something more nourishing but you just can't help yourself. In that regard, this season generally delivers what fans have come to expect from previous ones.

The biggest difference, of course, is the absence of James Caan and Nikki Cox, who both left at the beginning of this season. While their fans might be disappointed, the series sends both off painlessly and the new arrivals are quickly put in place. Tom Selleck is a welcome addition. He proves to have the talent and presence to fill in as the new owner of the Montecito, and he gets several opportunities to show off his comic timing. Camille Guaty, as the Montecito's new concierge Piper, isn't quite as effective, although the problem lies less with her than with the writing. The writers apparently aren't sure whether she's meant to be sassy and endearing or sassy and irritating. She does her best but the material doesn't always serve her well. Still, these new additions are nowhere near as bad as they could have been, and they don't embarrass the show at all.

The returning cast members are as solid as they've always been. Marcil is the standout and not just because of her beauty. Sam is by far the most well-defined character of the series. She's self-absorbed, cynical, and sharp-tongued, and Marcil seizes upon her choicest insults and jokes with relish. Sims, given that most tedious of storylines, a surprise pregnancy, is endearingly sweet, although her character sometimes comes off as whiny. Duhamel and Lesure, the requisite male eye candy, are both likable and charming.

As for the stories themselves, well, what can be said, other than few would take more than one sentence to sum up completely? Rest assured that almost all of them are quickly resolved with few lasting effects. The ones that are continuing, such as Delinda's pregnancy and the continuing mystery of Cooper's origin, are unfortunately left up in the air. Apparently, because of the writer's strike, several episodes that were meant to be shot weren't, and so the season finale, involving weddings, a plane crash, and Delinda's possible miscarriage, winds up far more uncertain than it was meant to be. Still, even though it's unfair that fans were punished with no actual farewell episode and a couple of arcs left hanging, this season is, for the most part, just as good as previous ones.

The anamorphic 1.78:1 transfer and Dolby Digital Surround 5.1 mix are top-notch, although the audio is mixed so loud that occasionally some dialogue is drowned out by the background music and noise. The extras are decent but not especially detailed. "Gag Reel" (10:04) is amusing enough (and loaded with unbleeped profanity), but not anything to watch over and over again. "VFX Featurette" (3:50) briefly explains a couple of the green-screen effects used this season. "Hot Stuff" (4:33) is a strange montage of flashy moments from previous seasons. "NBC.com Webcasts" (15:29) compiles all of the Webcasts from the series and includes some behind-the-scenes footage and interviews with a couple of cast members and Thompson.

The Rebuttal Witnesses

Las Vegas is at its weakest, funnily enough, when it tries too hard. Not in its ludicrousness, when it pulls off some fairly outlandish storylines (for instance, how can the same casino be hit by armed teams of robbers three times in nine months?). There it just tops any equally silly soap storyline. No, Las Vegas is good at that stuff, but can't pull off serious topics convincingly. There are a few scenes scattered throughout this season involving spousal abuse, parental neglect, and alcoholism that are painful to watch, and not in the way they're intended to be. They just demonstrate that Las Vegas is hopelessly out of its league when attempting to go for emotional depth. This isn't why people liked this show, and the show's writers and producers would have done better to stick to the vacuous sin and sleaze that they specialize in.

Closing Statement

Las Vegas: Season Five is as pretty as a postcard, and about as deep, too. No, there's nothing remotely profound or consequential here, but it's still a good time regardless. Despite the cast changes, this season makes a respectable effort to continue the series, although the unresolved storylines and cliffhanger are irritating. There are a few lackluster moments, but anyone who liked the show's previous seasons should still buy this set, as it generally matches the others in quality. In theory, newcomers might want to start with earlier seasons, although frankly, there's nothing so complex here as to require that much effort.

The Verdict

Not guilty through sheer brazenness. The court does slap an injunction on NBC/Universal, however, as fans deserve some form of closure for this series.

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Scales of Justice

Video: 90
Audio: 90
Extras: 70
Acting: 85
Story: 80
Judgment: 80

Perp Profile

Studio: Universal
Video Formats:
• 1.78:1 Anamorphic
Audio Formats:
• Dolby Digital 5.1 Surround (English)
Subtitles:
• English
Running Time: 874 Minutes
Release Year: 2007
MPAA Rating: Not Rated
Genres:
• Drama
• Television

Distinguishing Marks

• Gag Reel
• VFX Featurette
• Hot Stuff
• NBC.com Broadcasts

Accomplices

• IMDb








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