Mirror, Mirror on the wall, is Judge Jim Thomas the fairest of all? I see. Same to you, pal!
In the early '80s, Shelley Duvall (Popeye),
brought a children's series to Showtime. Dubbed Shelley Duvall's Faerie Tale
Theatre, the series was notable primarily for the big names Duvall lured to
the project. The likes of Christopher Reeve, Elliot Gould, Tatum O'Neal, Liza
Minnelli, even Duvall's Popeye co-star Robin Williams, joined in. The
series ran for five years, receiving strong marks from critics and viewers
The rights to the series have been passed around with the frequency of a
cheap ham radio, so there are a lot of different releases floating about. Last
year, E1 Entertainment, a division of Koch Media, released the complete set; now
they are starting to release some compilations. For some reason, they decided
not to release by season, but rather by theme. Thus, we have Faerie Tale
Theatre: Magical Tales, which is kind of odd, given that just about every
episode involves magic in one way or another.
This set has four episodes:
• "Aladdin and His Wonderful Lamp"
Magician (Leonard Nimoy) convinces Aladdin (Robert Carradine, The Revenge of
the Nerds) to enter an enchanted cave and retrieve a magic lamp. When
Aladdin won't turn over the lamp, the magician seals him in the cave. Luckily
for Aladdin, a Genie (James Earl Jones, Field of Dreams) is there to save
the day, rescuing Aladdin and helping him win the heart of Princess Sabrina
(Valerie Bertinelli). Unfortunately, the Evil Magician returns and plots against
Aladdin. This episode is seriously uneven; on the one hand, Carradine is simply
bland as Aladdin, mainly because that is how the character is written. He
doesn't have to have any character or personality, as magic gets him out of all
of his problems. On the other hand, Nimoy flings himself into the role with
clear relish, and Jones is just having a good time channeling Geoffrey Holder
(and his trademark laugh) for the proceedings. Ray Sharkey (The Idolmaker) is sorely underused as
the Grand Vizier—it's easy to see why Disney decided to combine that
character with the evil magician to create Jafar. The episode was directed by
Tim Burton, but there's nothing particularly Burton-esque about the
• "Beauty and the Beast"
A traveling merchant
(Stephen Elliot, Beverly Hills
Cop) inadvertently transgresses against the hospitality of the Beast (Klaus
Kinski). To save her father, Beauty (Susan Sarandon) travels to the Beast's
palace, a magical castle in the woods. The two quickly become friends and learn
the true nature of beauty. Directed by Roger Vadim, the episode is an
abbreviated remake of Cocteau's 1948 classic, down to the set and makeup design.
Kinski seems a bit lost in the role, but Sarandon shines with a moving
performance; Vadim shoots her so that she is positively luminous. In a minor
role, Angelica Huston (The Grifters)
plays one of Beauty's sisters. A subplot concerning Beauty's suitor Avenant (who
became Gaston in the Disney film) is omitted, which makes the ending a bit
• "Puss in Boots"
Edgar (Gregory Hines, Running Scared) is ticked off. His
late father left the mill to his eldest son and the donkey to his middle son.
Edgar, the youngest son, is left with nothing but his father's cat (Ben Vereen,
All that Jazz). Edgar is convinced
that he will amount to nothing, but the resourceful Puss uses both skill and
trickery to win his master the hand and heart of Princess Lovinia (Alfre
Woodard, Star Trek: First Contact), defeat
a fierce Ogre (Brock Peters, To Kill a Mockingbird) and bring Edgar
wealth and success. The set and costume design is fun, but after a while, the
plot gets a little repetitive—Edgar complains that he'll never be able to
[fill in the blank], and then Puss schemes his way through the situation, but
Edgar hardly seems worthy of Puss' machinations. In fact, the French viewed the
story as a lesson in the proper function of servants, who should be willing to
go to any length to advance their master's cause. That said, the confrontation
between Puss and the Ogre is particularly well done.
There's a very noticeable layer change at the *very* beginning—You
can't help but wonder why they didn't just move the episode to the second layer;
but then you realize that would have taken effort, and precious little of that
has been invested in this disc. Useless information: There's a lot of Star
Trek in this episode. In addition to Alfre Woodard, Ben Vereen played Geordi
La Forge's dad on TNG, John Schuck played the Klingon ambassador in Star Trek
IV: The Voyage Home, and Brock Peters played Admiral Cartwright in Star Trek VI: The Undiscovered
• "Snow White and the Seven Dwarfs"
jealous Queen (Vanessa Redgrave, Mission:
Impossible) poisons Snow White (Elizabeth McGovern, She's Having a Baby), it's up to seven
brave dwarfs and a handsome prince (Rex Smith) to break her spell. Redgrave
revels in her malicious vanity, and Vincent Price (Edward Scissorhands) has a fun
turn as the Magic Mirror. Scenes with Redgrave explode with vitality (a few
sequences are oddly reminiscent of "The Lusty Month of May" from Camelot, which is probably further proof
that I watch too many movies), but the episode drags whenever she's off screen.
Elizabeth McGovern is lovely as Snow White, but is hamstrung by a weak script
and the misfortune of having to work beside Redgrave.
Technically, the disc is a disappointment. The video has a soft image
(bordering on blurred in some areas), inconsistent colors, and a lot of flaring,
particularly in "Snow White." Audio fares little better; while there
is a remixed 5.1 track, there's little "surround" involved. "Puss
in Boots" has a fairly clear audio track, but in the other episodes, audio
is somewhat thin and even tinny at times. The original 2.0 mix is a bit clearer,
so just stick with that one.
There's a lot of talent on display here, but the sad fact is that with very
few exceptions, that talent isn't effectively used. The disc might have some
nostalgic value for some, but the stories just did not engage my kids at all.
Give us your feedback!
Did we give Shelley Duvall's Faerie Tale Theatre: Magical Tales a fair trial? yes / no
What's "fair"? Whether positive or negative, our reviews should be unbiased, informative, and critique the material on its own merits.
Studio: E1 Entertainment
• Full Frame
• Dolby Digital 5.1 Surround (English)
• Dolby Digital 2.0 Stereo (English)
Running Time: 201 Minutes
Release Year: 1984
MPAA Rating: Not Rated