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Case Number 07717

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Salaryman Kintaro (Volume 1)

ArtsmagicDVD // 2001 // 105 Minutes // Not Rated
Reviewed by Judge Dan Mancini (Retired) // October 6th, 2005

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All Rise...

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The Charge

"Don't dis' white-collar workers, dummy."—Kintaro

Opening Statement

The Japanese have had an odd fascination with salarymen (or sarariimen, their phonetic rendering of the English-based word) since the end of the American Occupation, when the country's economy industrialized and much of the populace flowed into urban areas like Tokyo to take white-collar corporate jobs. Salarymen are most often the butts of jokes (there's even been a television game show in Japan in which salarymen are fed sake until rip-roaring drunk, then forced to perform various feats). They're seen as drones and corporate bondservants. They're the poor saps we read about in the West whose lives are comprised of insanely long hours at work, moderate pay, and early deaths from coronary artery disease.

Despite the cultural disdain for low-level white-collar workers, a sizable portion of the Japanese population self-identifies as salarymen. This is why Hiroshi Motomiya's Salaryman Kintaro manga proved such a hit, spawning not only this anime adaptation, but a 1999 live-action film directed by Takashi Miike (Gozu). Salaryman Kintaro turns convention on its head by offering a sort of ronin white-collar worker, a man to challenge the mindless thrum of corporate life, elevating the urban capitalistic economy to a kind of new feudalism with a Bushido all its own. Yajima Kintaro is a former motorcycle gang leader who works in the General Affairs Department of the Yamato Construction Company. His unwavering individualism and rough-and-tumble style slowly transforms the corporate culture around him.

Facts of the Case

This DVD from ArtsMagic offers the first four episodes of the anime:

• Kintaro Joins a Company
When an executive of Yamato Construction Company is attacked by thugs after a night of drinking in Tokyo, a mystery man named Yajima Kintaro saves the day by handing the ruffians their asses. Kintaro, it turns out, is the legendary former leader of the Hasshu League, a Kanto-based motorcycle gang with nearly ten thousand members. Kintaro had dropped out of the Tokyo scene after marrying a woman named Akemi, but her death after giving birth to their son, Ryuta, has brought him back. For reasons as yet unexplained, Chairman Yamato hires Kintaro. A riot nearly breaks out when the old Hasshu gang members put on their colors and arrive at Yamato en masse to welcome their old leader back to Tokyo and see him off to his first day at work. It turns out Chairman Yamato has no intention of keeping Kintaro on, believing he won't make it as a salaryman. But our hero earns the respect of Executive Director Kurokawa, a man of honor who inspires him to cut his hair, clean up his act, and be a true salaryman, though Kurokawa himself is retiring from the company.
Grade: B

• Kintaro Has a Fight
It's Kintaro's first payday and to celebrate, he enjoys the night life with his co-workers, Maeda and Tanaka. At a bar, some bad-ass yakuza pick a fight with Kintaro, but it only inspires Tanaka and Maeda to relive their judo days at school and mop up the place with the thugs. Unfortunately, the yakuza boss and 30 of his underling show up at Yamato the next day to register a complaint with the General Affairs Department. Kintaro's stock rises when it turns out the yakuza boss, Shiina, was once his underling in the Hasshu League. When President Ohshima tries to fire him, Kintaro shows everyone the difference between leading by position and leading by example.
Grade: A-

• Kintaro Steals a Girl's Heart
The Chairman relates the tale of how he hired Kintaro after the ruffian saved his life during a fishing trip. Later, one of Kintaro's co-workers, Mizuko, explains that President Ohshima was once Minister of Construction for the Japanese government. After being hired as president of Yamato Construction, he filled the director positions with his government cronies, transforming the company into a lucrative but slimy civil engineering firm. Kintaro learns that Kurokawa stood in opposition to Ohshima, and only retired in return for assurances that Chairman Yamato's position in the company would not be put in jeopardy. Tanaka and Maeda conspire to take out Ohshima. Meanwhile, Yamato's maid, Harumi, reminds Kintaro of his wife, Akemi, and he begins to fall in love with her.
Grade: C

• Kintaro Runs Wild
On the train to work, Kintaro runs into Lumiko, a transvestite and former member of Hasshu. She's now running a gang of drag queens. Lumiko relates the sad tale of Akemi's rape, Kintaro's ensuing rampage, and how it inspired Lumiko to become who she really is. Meanwhile, Ohshima and his directors scheme to remove Chairman Yamato from his position—and Kintaro, Tanaka, and Maeda along with him—by secretly increasing his shares in the company. With the battle lines drawn, the salarymen begin forming alliances in support of either the President and his executives, or the Chairman and his loyal employees.
Grade: B-

The Evidence

With its muted cover and pedestrian title, Salaryman Kintaro isn't likely to catch one's eye among the razzle-dazzle lining the shelves of the anime section at the local retail mega-chain. It offers no 50-foot mecha, tentacled demons, or bustier-popping sci-fi chicks. That said, it's a subversive little anime well worth checking out. Kintaro is a Zatoichi-like figure for modern, corporate Japan: an unlikely hero among the ranks of timid white-collar peons, a champion of the exploited. His devotion to his dead wife and infant son is also reminiscent of the Lone Wolf and Cub series. He fits, in other words, the classic mold of the Japanese anti-hero—an oddball who doesn't readily fit into any of the existing social classes, yet manages to find a noble balance between individuality and devotion to the collective.

Salaryman Kintaro satirizes the numbing groupthink and dehumanizing emphasis on devotion to company that characterizes the corporate world in Japan (and elsewhere). It appeals to the Japanese urban-dweller because it doesn't merely lampoon their way of life; it transforms it into something grand and meaningful. Despite appearances, Kintaro's power at Yamato Construction Company isn't rooted in his ability to kick ass. It's the effect his questioning of the status quo has on others that turns the company upside down. His fresh perspective awakens his coworkers. Suddenly men like Tanaka and Maeda question the corrupt figures who run Yamato, and discover the resolve to oppose them.

While much of this valiant anti-authoritarianism is expressed through good old-fashioned fisticuffs, there is also more subtle satire and parody at play, as in the second episode when the beaten yakuza, rather than seeking a blood vendetta against Kintaro and his pals as all good movie yakuza would, register a complaint with Yamato Construction as though they're customers treated rudely by the company's employees. It's this genre-defying sensibility—salarymen behaving like yakuza, and yakuza behaving like salarymen—that distinguishes the series and makes it a pleasure to watch.

Of the first four episodes of the show, the first two are the most entertaining. This is largely because they work fairly well as stand-alone satire. Kintaro's backstory and his entry into the world of white-collar work are humorous, and both episodes deliver fun fight sequences. In episodes three and four, the show fills in the gaps of the characters' backstories and begins to establish a larger story arc concerning the fight between Kintaro and the evil President Ohshima over the soul of Yamato Construction. As such, the episodes feel more expository and less witty. They also lack the dynamic action sequences of the introductory episodes. Coupled with subsequent episodes of the show, however, they might be more satisfying.

Salaryman Kintaro's animation offers stiff character movement and plenty of budget-driven short cuts, but it's good enough to get the story across. ArtsMagic's DVD offers the episodes in a solid 1.78:1 anamorphic transfer that presents accurate, fully-saturated colors, a clean image, and little in the way of video artifacts.

Two Japanese audio mixes are available. The first is the original stereo track, and it's the more satisfying, offering well-balanced dialogue, effects, and music. The second option is a Dolby 5.1 mix that has many of the flaws so often present in surround mixes created from stereo sources. Sound effects and music sometimes overwhelm the dialogue, and the entire soundscape feels forced and artificial.

In addition to the four episodes of the show, the disc contains a six-minute video interview with director Tomoharu Katsumata. He talks about the current state and quality of anime, and why he chose to be an anime director. In a seven-minute video interview, producer Toru Nakano talks about the evolving technology of anime production, and how he became a producer of anime. Those are the only supplements. While they're not bad, some cultural notes, either in the form of a booklet or a text-based supplement on the DVD itself, would have been helpful in sorting out some of the episodes' specific details likely to fly over the heads of Westerners (the second episode, for example, has an entire scene that will be mostly lost on anyone unfamiliar with the rules of Mahjong).

Closing Statement

Salaryman Kintaro is a smart, funny, and action-packed series. Its setting in modern-day Japan and its complete lack of the supernatural is a refreshing change of pace from so much of the anime out there. These first four episodes show promise. Hopefully, subsequent volumes will pay off on that promise.

The Verdict

No guilty.

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Scales of Justice

Video: 85
Audio: 80
Extras: 20
Acting: 80
Story: 85
Judgment: 83

Perp Profile

Studio: ArtsmagicDVD
Video Formats:
• 1.78:1 Anamorphic
Audio Formats:
• Dolby Digital 5.1 Surround (Japanese)
• Dolby Digital 2.0 Stereo (Japanese)
Subtitles:
• English
Running Time: 105 Minutes
Release Year: 2001
MPAA Rating: Not Rated
Genres:
• Action
• Anime
• Comedy

Distinguishing Marks

• Interview with Director Tomoharu Katsumata
• Interview with Producer Toru Nakano

Accomplices

• None








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