Redemption and faith…for only $49.95.
What is truly irritating to you? Nails on a chalkboard? Getting a wood
splinter in your toe while walking on a deck? Eating a piece of chicken and
getting that little piece of bone stuck in your throat? Or how about the
incessant knock of a door-to-door salesman pitching everything from cosmetics
to God's authoritative word? If the latter is on your list, than you just may
want to see the Maysles brother's 1968 cult classic documentary
Salesman. A look into the world of the walking, talking peddler,
Salesman makes its DVD debut in a new edition of Criterion.
When some Bible salesman make their way across town selling their gold
embossed product, a few cameramen decide to follow them around and wind up with
the documentary Salesman. This film follows four salesmen in 1968: Paul
"The Badger" Brennan, James "The Rabbit" Baker, plus two
other men, one known as "The Bull" and the other known as "The
Gipper." All four of these guys have one single goal: to sell as many
biblically-themed products as they can. Along the way, we experience the joys
and (mostly) disappointments of trying to make it in this rough and tumble
business. Our focus is "The Badger," a sad and very frustrated
individual who is struggling with trying to get even one sales pitch across to
many uninterested customers. Be it wind, rain, sleet, or snow, the salesmen
continue to ply their trade all over the land, selling not only the word of
God, but even their own souls to make the sale.
Salesman is a very odd and fascinating story. You don't so much watch
the film as you do feel it. There were moments that felt so tough and
real to me that I almost could have been right next to that certain salesman
back in 1968. At one point Paul "The Badger" drives around in the
harsh winter weather and I could have sworn I knew exactly where he was and how
he felt. I have no idea if what I am saying makes any sense—the point is,
I know what these guys were going through. I'm not a salesman and I don't
peddle Bibles to make a living, but it's as if I experienced some alternate
universe where I knew what it was like to be a sad sack salesman.
Salesman is that kind of movie.
I was forced to watch Salesman when I was in film school. Being the
obstinate student that I was, I watched maybe ten minutes of the film then fell
asleep. Don't even get me started on what happened when I had to sit through Citizen Kane (about now you're probably
wondering how the hell I got a job working as a movie reviewer, eh?). When I
was offered the chance to review Salesman: Criterion Collection, I
thought maybe it was time I grew a little as a reviewer and watched something
that was cinematically important. I must say that I really think that
Salesman is a worthwhile movie. Not only is it a time capsule for the
end of the '60s, but also a portrait of an occupation that doesn't really exist
anymore. I don't know about you, but I can't remember the last time someone came
to sell me anything door-to-door (not counting kids selling chocolate bars or
magazines).
Salesman is ultimately a very depressing film. Away from their
families and their lives, the salesmen in the movie struggle to make ends meet
in a way that is somewhat degrading and very, very hard. My father owns a
packaging company, and is also a sales representative for his company. He does
very well at his work, enjoys it, and knows the ins and outs like the back of
his hand. The Bible peddlers, on the other hand, seem to be the complete
opposite of my father; depressed, frustrated and disparaged, they trudge
through their work knowing that the next pitch will most likely end in without
a sale. Paul Brennen is the man that none of us want to end up like. His
coworkers seem to find his endless prattling about his dwindling sales
repetitive and boring. During the end of Salesman Paul is forced to
partner up with another man, and subsequently is humiliated in front of
customers for his lack of "spark" or enthusiasm. A scene featuring
Paul using some questionable tactics makes the audience wince even more. The
pain and depression on Paul's face and in his voice is evident from the
beginning—he is a man who has suffered long and hard, and his time as a
salesman is coming to a close. We empathize with him yet understand his
co-worker's annoyance. As it states in the liner notes, Paul is "the
person—the future—you hope not to be."
However, the movie does offer funny moments during the dark ones. Some of
the dialogue between the men is lighthearted and warm, and a break during the
night leads to a dip in a hotel pool that is relatively humorous. While some of
the sales pitches to housewives and the underprivileged are disheartening, there
is also some levity present. "The Rabbit" is especially interesting to
watch, a snazzy showman who talks and talks and talks until he's close to being
blue in the face. Salesman should make viewers think long and hard about
what careers they choose (or have chosen). As the saying goes, count your
blessings, for there are always those that are more miserable than you.
Salesman: Criterion Collection is presented in its original aspect
ratio of 1.33:1. The transfer has been cleaned up and looks good, if not
excellent. The film was shot in black and white, and as such features a
softness that is apparent throughout the whole film. Blacks and grays were
usually level, though grain, dirt and scratches abound. This is to be expected,
especially for such a old, low-budget feature.
Audio is presented in Dolby Digital Mono and works fine in the confines of
the film. Salesman didn't require a new remix, and the hollow mono track
almost enhances the lonely feel of the film. Dialogue was clear with only a
small amount of distortion present. Also included on this disc are English
subtitles.
Salesman: Criterion Collection features a nice array of extra
material, starting with a commentary track by filmmakers Albert Maysles and
Charlotte Zwerin. This track is invaluable, with both Maysles and Zwerin
filling in gaps or questions the audience might have about the production or
the featured players. Interesting facts abound ("The Rabbit," if you
look closely, has long deformed hands with missing fingers, Maysles points
out), and there is much discussion about the cameras used and the personal
feelings the makers had about the salesmen.
An interview by Jack Kroll with the Maysles Brothers from 1969 is featured,
another great tool on how to learn how the brothers made this film and what
their thoughts were about the characters in their movie. "The Rabbit"
on NPR is a ten-minute radio program with James Baker discussing the film and
his role in selling the Bibles back in the '60s (he eventually gave it up five
or so years later). Some behind-the-scenes photos are included of both the
salesmen and the filmmakers at work, plus a weird theatrical trailer presented
in full frame and some filmographies on the filmmakers.
While the movie is interesting, some people might be put off by its slow pace
or dated look. I have to advise viewers to stick with this film, as it has a lot
of interesting things to say about the human spirit and what men will do to
acquire the almighty dollar.
Not to be missed, Salesman is a fascinating chronicle about a bygone
era, a job that no longer exists, and the lonely feeling that sometimes comes
with selling the scriptures door-to-door. Criterion has done a very nice job on
this disc, making sure that the video and audio portions are well produced and
mostly clean. Extra features-wise Salesman makes the grade, featuring
some insightful material that should shed more holy light on this documentary.
While the price may be a bit steep (well over $30), I can easily recommend this
title as a rental.
Salesman is free to go and share its despairingly weird tale around
the globe! Go forth, my sons, and spread the word!
Review content copyright © 2001 Patrick Naugle; Site layout and review format copyright ©
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| Scales of Justice |
| Video: | 85 |
| Audio: | 85 |
| Extras: | 89 |
| Judgment: | 92 |
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| Perp Profile |
Studio: Criterion
Video Formats:
• Full Frame
Audio Formats:
• Dolby Digital 1.0 Mono (English)
Subtitles:
• English
Running Time: 91 Minutes
Release Year: 1968
MPAA Rating: Not Rated
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| Distinguishing Marks |
• Commentary by Filmmakers Albert Maysles and Charlotte Zwerin
• 1968 Jack Kroll TV Interview w/The Maysles Brothers
• "The Rabbit" on NPR's "Weekend Edition" (2000)
• Behind-The-Scenes Photographs
• Filmographies
• Theatrical Trailer
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| Accomplices |
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